Although Betty Boop certainly is a caricature of Kane, the singer lost in her claim against the Fleischers after it was proven that a black entertainer named Baby Esther had first popularized the phrase "boop-oop-a-doop" years earlier. Miss Kane, however, was outraged by the animated character and claimed in a 1934 lawsuit that the Fleischers had limited her earning potential by stealing her distinctive singing style. Her "French doll" figure was modeled after Mae West's, and she featured a distinctive spit curl hairdo and a singing style inspired by popular chanteuse Helen Kane ("the Boop Boop a-Doop Girl"). Subsequent appearances reveal her gradual evolution into a fully human form. In her first screen appearance she was cast as a nightclub singer attempting to win the affection of then-Fleischer star, Bimbo, an anthropomorphized dog. With a heart of gold-already something of an anachronism in 1930." Although her appearance rooted her to the Jazz Age, Betty Boop's popularity remained high throughout the decade of the Great Depression, as she was animation's first fully developed and liberated female character.įor a character that would come to personify overt female sexuality, the original version of Betty Boop created by animator Grim Natwick was a somewhat grotesque amalgamation of human and dog features. According to animation historian Charles Solomon, Betty Boop "was the archetypal flapper, the speakeasy Girl Scout Unlike Disney's Silly Symphonies, which emphasized fine, life-like drawings and innocent themes, the Fleischer films featuring Betty Boop were characterized by their loose, metamorphic style and more adult situations designed to appeal to the grown members of the movie-going audience. From her debut as a minor character in the 1930 Talkartoons short feature "Dizzy Dishes," she quickly became the most popular character created for the Fleischer Studio, a serious animation rival to Walt Disney. Betty may, on the other hand in Who Framed Roger Rabbit, just be drawn in ink, which is made up of black pen and white paper.Betty Boop, the first major female animated screen star, epitomized the irresistible flapper in a series of more than one hundred highly successful cartoons in the 1930s. In Who Framed Roger Rabbit, Betty says she doesn't get much work since cartoons are now in color, claiming to be colorless. Betty solely has black hair in the main reboots, proving this. All they will discuss is the history of the color process of Poor Cinderella, this is possibly because they too are unaware of Betty's true colorized origins. The license owners today won't divulge that Betty ever had red hair. Betty having red hair is not acknowledged by Betty's new model sheets by King Features or the descendants of the original Fleischer Studios, for all current endeavors, Betty's hair is just jet-black. The roots of Betty's red hair are unknown to those who are not fans of the "original" Betty Boop series or who do not know about the origin in great detail. With her red hair, Betty resembles the "It" girl Clara Bow, who served as partial inspiration for the development of Betty. In Poor Cinderella, Betty's hair was changed red to take advantage of the 3-strip Technicolor colors.
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